The viola da gamba was admired during the Baroque period throughout Europe, but it gradually disappeared towards the end of the 18th century. Many professional musicians, including composers, only know of the viol family vaguely. As a result, when the need arises for contemporary repertoire, available selection might be scarce. Some modern compositions are far from reflecting the true capabilities of the instrument: clearly, when thinking of the viol many composers have an image of a cello in mind, or some bowed instrument lacking clear definition.

In addition to a few of works that Tal Arbel composed and performed and as well as pieces composed for her, Tal welcomes opportunities to meet composers interested in getting to know the viola da gamba, in order to broaden its contemporary repertoire. Tal's goal is to hold a concert devoted exclusively to Israeli works for viola da gamba.